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Review
“A profound and challenging book that should be read widely and repeatedly, Puar’s latest work contains revelations about contemporary power that offer avenues for transforming academic knowledge and our own subjectivities.” (Liz Philipose Signs)“Terrorist Assemblages is brilliant, hyperkinetic, and perhaps, most of all, ferocious. It is ferocious in its analysis and critique not only of networks of control over and unrelenting superpanopticism of queer, racialized bodies but also of queer, feminist, and critical race theory and activism.” (Victor Román Mendoza Journal of Asian American Studies)“Few points of identification, cherished political practices, or progressive claims are left unimplicated in Puar's analysis of the war on terror. . . . Terrorist Assemblages exemplifies the most difficult and yet most important work that critical theory can offer its readers and practitioners: a thoroughgoing interrogation of the inequalities, oppressions and injustices that shape the present, which refuses to leave its authors' and readers' own investments outside its critiques.” (Elisabeth Anker Theory and Event)“Puar provides compelling and convincing examples of the unwitting effects of homonormative discourse.” (Celia Jameson Parallax)“Jasbir Puar’s Terrorist Assemblages: Homonationalism in Queer Times is a powerful, energetic, and highly insightful read. The book absorbs a surprising amount of intellectual, political, and emotional labour. . . . [R]eaders can have that rare and golden experience of emerging from these pages transformed. Indeed, the demands that Puar places on her reader are substantial, but the rewards well worth it. Cutting, courageous, and prescient, Terrorist Assemblages is well worth the read.” (Deborah Cowen Antipode)"It is her ability to traverse the theoretical terrains between theories of affect and nonrepresentation as well as discourse and identity that exemplifies how these seemingly opposed poststructuralisms do, in fact, enrich each other and make Terrorist Assemblages a critically important work." (Lauren L. Martin Annals of the American Association of Geographers)"Terrorist Assemblages is a challenging and urgent book that pushes studies of the sexual beyond their comfort zone. . . . The chapters offer a series of bold and creative readings that aim to rewrite emergent orthodoxies within both critical and not so critical discourses on the 'war on terror.' Where such discourses perpetuate separation and distance, Puar strikingly demonstrates connectivity and coincidence." (Natalie Oswin Social & Cultural Geography)"Terrorist Assemblages will appeal to scholars who wish to push the limits of interdisciplinary thinking and writing. In both form and content, this book energetically experiments with different theoretical frameworks and disparate sources to produce fresh insights on a variety of issues. For these and many other reasons, Terrorist Assemblages is bound to become a mainstay in graduate courses across a range of disciplines, and will certainly be cited as a key text in scholarship that examines how discourses surrounding sexuality are mobilized in the service of war, nation-building, and imperialism." (Sean McCarthy E3W Review of Books)"Terrorist Assemblages is a rich and textured read that lays bare the perniciousness of liberal politics while asking for the hard work it takes to build radical solidarity." (Rupal Oza Social & Cultural Geography)". . . I think it only appropriate that we succumb to this project’s velocity, that we explore Puar’s virtuosic, methodological interventions, while acknowledging the captivating intellectual performance at the heart of Terrorist Assemblages. . . . Puar importantly provides a salient and scathing political critique of nationalism in its hetero, homo, religious and racialized incarnations." (Karen Tongson Women and Performance)
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Review
“I could not stop reading this outraged, meticulous, passionate, and brilliantly visioned book. Jasbir K. Puar’s analysis of the neoliberal, imperial, sexual, and racist present reaches into the U.S. academy and multiple transnational publics and is critical of them all, even when she has solidarity with them. It’s been a long time since I read something so smart and so thorough in its storytelling.” (Lauren Berlant)“In this powerful book, Jasbir K. Puar offers a stunning critique of ‘homonational’ politics. She rethinks intersections as assemblages, as networks of affect, intensity, and movement. The very rigor of her critique suggests an unflinching optimism about what is possible for queer politics.” (Sara Ahmed)“By articulating terrorism, patriotism, and U.S. exceptionalism not only to race but also to homophobia, heteronormativity, and queerness, Terrorist Assemblages offers a trenchant critique of contemporary bio- as well as geopolitics. As an author on a hotly debated topic, Jasbir K. Puar is as gracious about acknowledging other authors’ contributions as she is unyielding in her interrogations of secular-liberalist epistemic conventions. This is a smart, admirably researched, and courageous book.” (Rey Chow, author of Entanglements, or Transmedial Thinking about Capture)
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Product details
Series: Next Wave: New Directions in Women's Studies
Paperback: 392 pages
Publisher: Duke University Press Books; Anniversary, Tenth Anniversary edition (December 8, 2017)
Language: English
ISBN-10: 0822371502
ISBN-13: 978-0822371502
Product Dimensions:
6 x 0.8 x 9 inches
Shipping Weight: 1.2 pounds (View shipping rates and policies)
Average Customer Review:
4.0 out of 5 stars
1 customer review
Amazon Best Sellers Rank:
#194,646 in Books (See Top 100 in Books)
Terrorist Assemblages offers, as the foreword to the 2017 edition puts it, “queer theory in dark times.†The times that form the backdrop of queer theory are very dark indeed. The book was written at a time when, in the wake of revelations about torture of Iraqi prisoners at Abu Ghraib, New York Times editorialist Thomas Friedman could write: “I have never known a time in my life when America and its president were more hated around the world than today†(yes, the year was 2004, and the president was George W. Bush). It was, and it still is, a time of death and mourning, of war and aggression, of terrorist attacks and nationalist hype. This historical conjuncture has been described as “the age of the world targetâ€: what is being targeted are not simply terrorist networks and rogue states, but the world as an object to be destroyed. In this context, Terrorist Assemblages exposes the United States not only as a targeting war machine, but also as a targeted nation, as the target of terrorist assaults and radical critique. There is a political urgency that is to be felt at every page, no less in the 2017 postscript titled “Homonationalism in Trump timesâ€. This book is not the work of an ivory tower academic or a closet intellectual, pondering over the course of world’s events from the safety of an academic perch. It is a text steeped in violence and accusations, a disruptive and unruly intervention that leaves no field of inquiry unscathed. The starting point of the acceleration of time that Terrorist Assemblages manifests is September 11, 2001, which forms the degree zero of writing and thinking about our present situation. 9/11 is conceptualized as a “snapshot†and a “flashpointâ€, an explosion and a lightning, allowing different temporalities to emerge and, with them, a range of issues hitherto suppressed. These weird and unhinged times offer a space for the untimely, the unexpected, the forever deferred. The politics of time that the epoch brings to the fore, with its tactics, strategies, and logistics, is a politics of the open end, of allowing unknowable political futures to come our way, of taking risks rather than guarding against them.Advancing a nationalist agenda in the name of sexual freedomThe times are queer, and so is theory. Queer times is a historical juncture when new normativities are emerging, new subjectivities are being hailed, and new bodies are being assembled. More specifically, Jasbir Puar argues that the production of terrorist bodies is inseparable from the affirmation of queer subjects in a context where homosexuality and LGBT rights are being tied to a nationalist agenda. This book was not the first to use the expression “homonationalismâ€: the topic was a matter of discussion in Europe long before American academics began to notice, and the assassination of Pim Fortuyn in 2002 was a watershed in this respect. The striking feature that distinguishes contemporary European nationals parties from their older counterparts is the invocation of gender equality and LGBT rights with an otherwise xenophobic rhetoric. Indeed, despite their masculinist political style and occasional homophobic slurs, those parties have increasingly advanced their anti-Islam agendas in the name of sexual freedom and gender rights. Sexual diversity has thus been instrumentalized in the service of sexual nationalism, whereby migrants’ and Muslims’ integration and loyalty to their hosting western nations are tested by means of their commitment to the sexual values of these nations. This sexualization of citizenship posits that Muslims and other non-western migrants are intrinsically homophobic and that Islam is, in essence, “anti-gayâ€. Some western progressives even use this argument to call for a slower pace of social reforms in Europe, advancing that our open and increasingly multicultural societies are “not yet ready†for the recognition of sexual minorities’ rights. Puar brings these European debates to the post-9/11 American context. Centering her attention on the intersection between gay politics and US exceptionalism, she emphasizes the exclusionary state as the master signifier of the contemporary focus on male radicalized Others as misogynistic and xenophobic enemies of western civilization. More specifically, Puar discusses the encounter between US nationalism and queer sexual politics in terms of “collisionsâ€, which she sees as productive of a “homonationalist†formation. Puar’s “homonationalism†thus both describes the mobilization of gay rights against Muslims and radicalized Others within the American nationalist framework, but also refers to the integration of “homonormativityâ€â€”that is, domesticated homosexual politics—within the US agenda of the war on terror. As Puar puts it, homonationalism is a “discursive tactic that disaggregates US national gays and queers from racial and sexual others, foregrounding a collusion between homosexuality and American nationalism that is generated both by national rhetorics of patriotic inclusion and by gay and queer subjects themselves.â€Violence of theory, violence of the state, violence of the selfTerrorist Assemblages is a violent book that both condones and denounces violence. As the author writes, “it is easy, albeit painful, to point to the conservative elements of any political formation; it is less easy, and perhaps much more painful, to point to ourselves as accomplices of certain normativizing violences.†The first form of violence that the author exposes is the violence of theory. It is the chasm “between those who theorize and those who are theorized about.†It is telling that, in the context of the revelations of torture at Abu Ghraib and the outrage that pictures of maimed bodies elicited, no one took the pain to inquire who these tortured Iraqi individuals were, what experience they felt, and how their lives and those of their relatives were affected. Or that trauma analysis portrays war veterans and victims of terrorist attacks as worthy of compassion and care, whereas people who have lost loved ones as a consequence of US foreign policy elsewhere are not depicted as sufferers of trauma or injustice. Why is there a double standard when dead bodies are counted in the aftermath of military campaigns, with the Iraq war claiming 773 US fatalities but more than 10,000 Iraqis killed? Or, to return to the Abu Ghraib case, why are these photos any more revolting than pictures of body parts blown apart by shards of missiles and explosives as a consequence of targeted attacks launched by unmanned drones? For Jasbir Puar, theory is intrinsically violent. She turns this violence against queer theorists and progressives of a radical bent, and ultimately against herself. The author draws attention to the manifold ways in which the US state of exceptionalism and exception has co-opted important sections of the gay movement. Rather than a mere instrumentalization, or tactical exploitation of the theme of gay rights by nationalism, Puar thus highlights the active involvement—and responsibilities—of the queer movements themselves that have supported (wittingly or unwittingly) this new racist configuration. Queer theory itself, with its insistence on LGBT exceptionalism and impossible standards of radicalism, partakes in this contemporary violence. A typical discursive move of Puar is to bring forth a progressive or radical argument proposed by a fellow theorist, then highlight its blind spots, its undeclared essentialism and hidden normativity. On that count, few arguments survive her critique, and even her own argumentation is not immune from self-criticism. As a result, the author paints herself into an inhospitable corner: normativity, homo or hetero, is not something that we can escape.The second form of violence that Terrorist Assemblages addresses is the violence of the state. For Puar, this violence has reached a new intensity with the war on terror and the isolation of the homeland that followed September 11, 2011. The state has morphed into a war machine which, like the desiring machines of Deleuze and Guattari, is animated with a will of its own and produces in its wake a multiplicity of infectious affects and afflictions: patriotism, racism, security, death, torture, terror, terrorism, detention, deportation, surveillance, and control. The bodies of foreign terrorists are constituted as bodies without organs: they are eviscerated, stripped bare of any subjectivity and left to survive as living dead in zones of non-law such as Guantanamo and black sites of detention. In the neo-Orientalist vision of geopolitics in the Middle East, terrorists are perceived as queer: “failed and perverse, these emasculated bodies always have femininity as their reference point of malfunction, and are metonymically tied to all sorts of pathologies of the mind and body—homosexuality, incest, pedophilia, madness, and disease.†The biopolitical state turns foreign subjects into figures of death at the same time as it associates gay couples and queer individuals with positive ideas of life and productivity: hence gay marriage, the exaltation of difference, and the market segmentation of LGBT communities into profitable ventures. For Puar, “this benevolence toward sexual others is contingent upon ever-narrowing parameters of white racial privilege, consumption capabilities, gender and kinship normatively, and bodily integrity.†The affirmation of sexual difference is concomitant with the ascendency of whiteness: in popular representation, the homosexual other is always white, while the racial other is straight. By extension, the invocation of the terrorist as queer, nonnational, perversely racialized other has become part of the normative script of the US war on terror. Of course, there is no way to tell where this process of scapegoating and excluding unworthy subjects from the national body will stop.There is always the risk that you may be next in line and that, after having targeted terrorists, illegal aliens, immigrants, law trespassers and deviants, the state may come after you.Thirdly, Puar underscores the violence of identity. Assigning a person to a fixed and defined identity is a violent act of normativity. It elides and forecloses other affiliations and belongings, and creates a sense of loss and mourning for the other futures and possibilities that never will be. Our belonging to a certain community, group or category is a purely arbitrary fact, a given without meaning. To be born in a certain country, within a certain ethnic group or with a predetermined sexual orientation is not the result of a conscious decision or a choice: to have one’s identity defined by these contingent parameters is a form of violence that nothing compels us to take as granted. Norms exclude certain people and deny their rights as much as they include other people and grant them privileges. Queer theory has been designed to bring such norms at risk and to return against the bearer the violence that they apply to nonconformist bodies. Queer means trouble: it breaks down the established and stable categories of identity, it refuses to accept that genres and genders can be clearly defined, and instead focuses on the expansive production of sexualized selves through performance and affects. But the proliferation of shifting identities and the compulsive invocation of difference is no less violent and normative than the compulsory orders of residence that puts us under house arrest. Although queer theory emphasizes difference, mismatch, and nonnormativity, queer as a category creates its own normative power, its ability to mold subjects and discipline their conduct. As Puar shows, all queer bodies have not been included in the category of queer. Despite its claims of intersectionality, queer politics have prioritized only one factor, sexuality, as the primary sense through which they structure their action. In particular, queer theory is underpinned by a powerful conviction that religious and racial communities are more homophobic than white mainstream queer communities are racist. By implication, for queers of colors a critique of homophobia within their home community is deemed more pressing and should take precedence over a criticism of racism within mainstream queer communities.The West as an arbiter of civilizational standardsJasbir Puar reverses that order of priority. She revels in exposing the bigotry of queer organizations such as InterPride or OutRage! who send politically correct messages with an exclusionary subtext. Complicity with white ascendency and heteronormativity can take many forms. As with the construction of model minorities by elites from certain ethnic groups, wealthy white gay males create an ideal of the homosexual family (gay marriage, adopted children, bourgeois lifestyle) that is no less normative and exclusionary than its heterosexual version. Nationalism is on the rise in every segment of society, and progressive sexuality is heralded as a hallmark of western modernity as opposed to the backwardness and obscurantism of the Middle East where the war on terror is waged. Islam and homosexuality are constituted as mutually exclusive; and queer people of color, or gay Muslims, becomes the significant others to be rescued from their culture or communities. The West regards itself as the arbiter of civilizational standards. Just as exotic women are waiting to be liberated by white males, gay Arabs need to be saved by white gay men, and they are granted asylum status accordingly. In the progressive narrative, gays and lesbians are the last recipients of civil rights that have already been bestowed on racial minorities. This rosy vision not only falsely assumes that discrimination and prejudices against ethnic minorities are a thing of the past; it also relieves mainstream gays and lesbians from any accountability to an antiracist agenda. The two issues are treated as substitutes, not complementary: Puar reminds us that the legalization of interracial marriage in 1967 coincided with increased criminalization of homosexuality in US laws. Likewise, the growing visibility and inclusion of gays and lesbians into the national fold comes at the expense of racialized subjects and foreign others who are targeted by discriminatory laws justified by the war on terror. Against affirmations of sexual exceptionalism that depicts the United States as a haven for the poor, huddled masses yearning to breathe sexual freedom, Puar shows that America lags far behind in the recognition of sexual minorities’ rights. And she notes that visa restrictions and deportation policies have created a new diaspora of former US residents cast away from the homeland or seeking refuge in neighboring Canada.The publication of Terrorist Assemblages was part of the 9/11 industry machine: a kind of scholarly porn, where each critic would try to outsmart the competition by providing even more radical perspectives on what was construed as a landmark event ushering a new geopolitical era. By focusing on the production of the figure of the Muslim terrorist as queer, Puar offers a radical critique of liberal agendas that take the emancipatory nature of feminism and queer movements as granted. She shows that many segments in society continue to produce the sexual other as white and the racial other as straight. Bodies that don’t fit into this equation are construed as either racialized queer terrorists, whose political grievances are explained away by pathologizing their motives, or as exotic fairies who need to be saved from their oppressive environment. The famous critic Gayatri Chakrabarty Spivak coined the phrase “white men are saving brown women from brown men†to underscore that the voice of the subaltern woman is always silenced by patriarchy and imperialism. For Jasbir Puar, queer and lesbian racialized others are being saved by gay-friendly white men: the progressive stance of liberal positioning becomes a normative agenda, whereby how well countries treat their homosexuals becomes the litmus test of acceptable governance. Israel uses pinkwashing to market itself as a gay-friendly destination and to silence the critiques of its human rights record, and the European Union spends political energy on LGBT rights to cover its absence of strategic vision on governance issues. Meanwhile, at the national level, attitudes toward gays and lesbians become a barometer of whether immigrant minorities are acceptable to the national polity. The fixation on the certainty of greater homophobia in Muslim communities or immigrant cultures gives credence to a nationalist camp that extends its constituency to white homosexuals while comforting its hold on racist and anti-immigrant voters. For Puar, the discourse on rights and liberalization must always be complemented by the two questions: rights for whom, and at whose expense? LGBT liberation is a legitimate goal, but it also works to distract attention from intense forms of regulation that seeks to control and exclude the activities of bodies not deemed suitable for the national body politic. The very idea of sexual identity and of gender is part of the way imperialism works and operates as a form of silent colonization of our lifeworlds.Jasbir Puar claims that her analyses “draw upon more than five years of research conducted in New York, New Jersey, and Connecticut involving community-based organizations, activist events, meetings, protests, teach-ins, and panels, as well as pamphlets, educational materials, propaganda, and press releases from both alternative and mainstream media.†Her status as a participant observer is attested by her involvement in activist groups representing gay and lesbian South Asians, or by her familiarity with gurdwara communities where Sikh Americans had to distanciate themselves from suspicions of terrorism by claiming that “the turban is not a hat.†Many observations made by the author, as well as her analyses of feminist and queer responses to various events, show her deep involvement in the issues she is addressing. But Terrorist Assemblages is not a work of ethnography. Empirical facts and data are limited to a few casual observations, and works of art or media performances often take centerstage, as in the book’s illustrations. Puar thinks her background in community advocacy and activism give her enough credentials to take a stand as a scholar and to engage in social critique. She is also theoretically literate: her references to the scholarly literature are cutting-edge, she is not afraid to engage with feminists and queer theorists on their own turf so as to expose some of their limitations and shortcomings. She gives flesh and substance to abstract notions and constructs such as affect theory, analyses of nonvisual perceptions, differences between foucaldian disciplines and control, and emphases of embodied modes of existence. Her reading of the Sikh turban as an assemblage that folds together cloth, skin, hair, odors, and tactile sensations, is a model of the genre. But theory does not a philosopher make, and a philosopher she is not. She use an elaborate style—and some sentences or paragraphs require repeated readings—to state ideas or expose facts that are quite simple and straightforward. She throws concepts like a boxer would throw blows: she doesn’t hit every time, but what matters is to stay in the fight and aim for the prize. The publication of a tenth anniversary edition of Terrorist Assemblages shows that, for some readers at least, Jasbir Puar hit the mark and came out alive and kicking.
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