Selasa, 24 April 2018

Download PDF Ultimate Reptileopedia: The Most Complete Reptile Reference Ever, by Christina Wilsdon

Download PDF Ultimate Reptileopedia: The Most Complete Reptile Reference Ever, by Christina Wilsdon

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Ultimate Reptileopedia: The Most Complete Reptile Reference Ever, by Christina Wilsdon

Ultimate Reptileopedia: The Most Complete Reptile Reference Ever, by Christina Wilsdon


Ultimate Reptileopedia: The Most Complete Reptile Reference Ever, by Christina Wilsdon


Download PDF Ultimate Reptileopedia: The Most Complete Reptile Reference Ever, by Christina Wilsdon

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Ultimate Reptileopedia: The Most Complete Reptile Reference Ever, by Christina Wilsdon

About the Author

CHRISTINA WILSDON is a writer who specializes in books about natural history and biology for children. Her previous works include For Horse-Crazy Girls Only, Smithsonian Q&A: Birds, National Geographic Kids Ultimate Bodypedia, and numerous books and articles about animals. She lives in the Pacific Northwest with her husband, daughter, two cats, a dog, and a horse.

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Product details

Age Range: 7 - 10 years

Grade Level: 2 - 5

Hardcover: 272 pages

Publisher: National Geographic Children's Books (October 13, 2015)

Language: English

ISBN-10: 1426321023

ISBN-13: 978-1426321023

Product Dimensions:

8.8 x 0.9 x 10.8 inches

Shipping Weight: 2.8 pounds (View shipping rates and policies)

Average Customer Review:

4.9 out of 5 stars

45 customer reviews

Amazon Best Sellers Rank:

#26,427 in Books (See Top 100 in Books)

I bought this for an eight year old who LOVES bugs and reptiles. She reads a couple of entries a night from this one and the Bugopedia. There is a LOT of information in these books and it's broke down in easy to read sentences and easy words to understand. Smaller children will enjoy the bright and colorful pictures. Older children will enjoy the information without having to ask too many times "What does this mean?". And even an adult with a curious child will enjoy these books as you get to explore the creepy crawlies of the world.I had a picture encyclopedia when I was a child and it was my most treasured book. And for right now, this Reptileopedia (and the Bugopedia) are her most treasured books and as long as she's satisfied with them, I am too. Next we're going to get the Oceanopedia.

Great, big book! Perfect for a child that loves reptiles. Only thing my child commented on was that some of her favorite reptiles weren't in there.

My son LOVES this book! He's really into animals, especially reptiles. He's probably read this book front to back a dozen times already. Now he's constantly telling me facts about different reptiles. I highly recommend this book to anyone that has children interested in reptiles!

I bought this for my neice and she loved it! She's nine and we had a great time reading and looking through the pictures. My nephew who is only four loves this book just as much as his sister.

This book is wonderful Bought as Christmas gift for my 7 yo grandson He is into them very much Just like my son! It is a great book giving all sorts of info on just about every reptile k own on our planet

7 yr old grandson is enthralled with reptiles and loved this book. Great size book packed with reptile information. Bright pictures with a lot of details. He will be reading this book for months. Great value

Excellent resource book for both children and adults. Great photos!

Beautiful book. Great present for 6 year old. Nice pictures! This is my son's fav Christmas gift

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Kamis, 12 April 2018

Free Download The Haunting of Charles Dickens, by Lewis Buzbee Greg Ruth

Free Download The Haunting of Charles Dickens, by Lewis Buzbee Greg Ruth

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The Haunting of Charles Dickens, by Lewis Buzbee Greg Ruth

The Haunting of Charles Dickens, by Lewis Buzbee Greg Ruth


The Haunting of Charles Dickens, by Lewis Buzbee Greg Ruth


Free Download The Haunting of Charles Dickens, by Lewis Buzbee Greg Ruth

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The Haunting of Charles Dickens, by Lewis Buzbee Greg Ruth

Review

“Ruth's delightful black-and-white drawings add atmosphere and interest. If historical mystery fans are not quite up for Philip Pullman's Ruby in the Smoke (Knopf, 1987) or Eleanor Updale's Montmorency (Scholastic, 2004), this book could be a good way to work up to them.” ―School Library Journal“Deliciously elaborate… The sights, sounds and stenches of 19th-century London are palpable even without the moody black-and-white illustrations.” ―Kirkus Reviews“A rollicking good historical mystery, written in Dickens'style and illustrated with appealing line drawings, which include a subtle tip of the hat to a more contemporary London that a few YA readers may catch.” ―Booklist“A charming and gripping tale...Buzbee creates solid characters (and certainly has fun naming them, as did Dickens) and an authentic flavor of Dickensian London, enhanced by Ruth's striking and evocative b&w drawings...while addressing issues of feminism, the search for identity, and child abuse.” ―Publishers Weekly“[A] seriously good book...Buzbee draws a realistic vivid picture of 19th century London and manages to capture the "feel" of a Dickens book...The importance of the written word, the printed word, and the authors behind them shines through in this novel.” ―Goddess Librarian (goddesslibrarian.blogspot.com)“The themes of valuing friendship, managing adults who have lost their priorities, and connecting people through stories will appeal to kids who have found their own magic in the library.” ―BCCB on Steinbeck's Ghost“The story remains an intriguing introduction/companion to Steinbeck's works and imaginatively conveys the power of literature to transport people to another time and place.” ―Publishers Weekly on Steinbeck's Ghost“Buzbee's love for literature and libraries is infectious and, for those similarly inclined, deeply satisfying.” ―Booklist on Steinbeck's Ghost“Magical realism with Steinbeck's ghost and a discerning young hero.” ―Kirkus on Steinbeck's Ghost

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About the Author

LEWIS BUZBEE is the author of Steinbeck's Ghost and several books for adults, including The Yellow-Lighted Bookshop. A former bookseller, he lives in San Francisco with his wife and daughter.Greg Ruth lives and works in Western Massachusetts with his wife, Jen, and two boys, Emmett and Nathaniel, where he crafts graphic novels, children's picture books, including Coming Home.

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Product details

Paperback: 384 pages

Publisher: Square Fish; Reprint edition (November 13, 2012)

Language: English

ISBN-10: 0312641230

ISBN-13: 978-0312641238

Product Dimensions:

5.2 x 0.9 x 8 inches

Shipping Weight: 10.6 ounces (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

22 customer reviews

Amazon Best Sellers Rank:

#1,457,432 in Books (See Top 100 in Books)

The Pickel family owns a print shop and has customers/friends with the likes of Charles Dickens. The daughter of the house, Meg, is adventurous and daring. She is strong willed and tries to find her missing older brother. While traveling at night through London she unexpectedly meets Charles Dickens. They make a pact that they will save Meg's brother.I felt different enjoyment from this book then Buzbee's Steinbeck Ghost. Instead of flowing into each book Steinbeck wrote this one was a whole new mystery featuring Dickens and mentions of his stories. Meg and Dickens are interesting partners. Dickens comes across very fun loving which if you have seen real photos of Dickens you would not think that of him because I have not seen one where he smiles.This book tells about the dark side of the times for children who worked in labor houses like Dickens did once as a child. So book has a little grittiness to it that makes some it hard to enjoy even though it may be based on facts. Dickens does make it laughable at times by dress in odd suits and meeting odd souls. Good read for Dickens lovers.

This is a great series for young adults that is written by a local, Bay Area author. A teacher of mine heard about this author while at a Steinbeck conference from another teacher. We bought the series for the campus library. We cannot keep it on the shelves. The students really enjoy it.

I greatly enjoyed being swept away into the London of the Dickens era. While the phony seance near the beginning of The Haunting of Charles Dickens may have hinted at ghosts and paranormal, it soon becomes apparent it is trickery and unscrupulous business practies that Meg and Mr. Dickens must overcome. Meg, who had gone out in search of her lost brother, Orion, was drawn to the strange green glow emanating from skylights of an empty mansion. There she comes across her old family friend, Charles Dickens, who is also looking in on the seance. Before their secretive viewing of the seance is over, Meg glimpses a young man she believes to be her brother who has been missing for six months. This lifts her heart and resolve to find her brother. In tracking Orion through old London, Meg comes across many signs he left behind. Her sleuthing and work in their family's printing shop leads her to seek more for herself when she's grown, rather than just marriage into a suitable family.The setting of Dickens era London was vivid for me, including travel by foot and carriage complete with the clop of horses's hooves on cobblestones. The jingle of the horses's harnesses, the squeeking of the buggies and carts, and the smell of a soot permeated city all add to the intensity of the scenes. The sights, smells and decay of old London remind the reader of that manufacturing era.The haunting in this story comes about three ways: The first apparent haunting is the loss parents experience for their "lost" children who've been forced into labor in those 'underground' sweatshops. The haunting that effects Charles Dickens reflects his state of mind and emotions rather than being about ghosts. Meg is haunted by the loss of her older brother, Orion, yet she refuses to believe he is dead. The only ghosts turn out to be the children who are conscripted and forced to work under horrid conditions. They are the "living" ghosts who've been whisked away.Through the way author Lewis Buzbee wove some of the Dickens story titles and characters into this plot and setting, he offers teases which may tempt young readers to explore reading more about the Dickens era. I recommend 'top hats doffed' for Buzbee for reopening this world of reading about the Dickens era for readers, young and old.

I'm currently teaching seventh- and eighth-graders at a classical school where the students spend six years reading the great works of literature. Since these two age groups study Greco-Roman and medieval literature, respectively, for homework, they are always looking for something else to read for "fun." At the beginning of the year, the girls were lamenting the fact that when they went to the bookstores, all they could find was "vampire stuff." They then asked, "Isn't there anything good to read?" I've prepared a list for them, but certainly I will be adding *The Haunting of Charles Dickens* to it. In fact, one of the girls has already asked to borrow my copy when I'm done.Set in Victorian England, the story centers on a girl whose older brother has gone missing. The father of the family runs a print shop which is frequented by Charles Dickens who often comes in to buy high quality paper, so young Meg does know the Great Man. Still, she is nonetheless startled to discover Mr. Dickens crawling about on a nearby roof peering downward at a séance that is taking place in the upper room of one of the houses. (Meg is out there trying to figure out where her brother has gone.) The two become partners in detection as they begin a quest, with the permission of Meg's father, to find Orion, the missing brother.Buzbee's prose is fabulous! The story moves apace and one is caught up in the characters and the action. One of the more pleasurable aspects of the book is the fact that many of the places and characters that Meg and Dickens encounter along the way have the names that have made appearances in Dickens' books. For example, the seance is being held in Satis House where they eventually find a decaying cake with cobwebs and mice. Being unfamiliar with Dickens' books would not hinder the enjoymnet of this one, but I feel certain that after reading this book, most young readers would certainly undertake to read them, starting with *Great Expectations*, which figures largely in Meg's own reading in Buzbee's book. (Caveat: Buzbee does slip and let it be known who Pip's benefactor actually was.)At the end of the book, there is a three-page appendix entitled "Children and Charles Dickens," which explains the important role that Dickens played in effecting child labor laws and other laws curbing the exploitation of children in the streets of London, which he knew first-hand from his own time on the streets as a boy. It is a good addendum to the book, but it does contain my only complaint about the book, Buzbee's reference to the "ragged" schools of the age as "pitiful." Education was not compulsory in England until 1870, but that did not stop members of the public from reaching out to the street children and providing them with the rudiments of reading and writing with a view toward helping them find decent employment when and how they could. Were they perfect? Far from it. But led by Anthony Ashley Cooper, 7th Earl of Shaftesbury, they were hardly pitiful. Dickens was invited by those running the street schools to join in the effort, and it is true that he found them wanting in some areas; however, since we know that our own twenty-first century schools have sunk to "creative spelling" and the so-called "reform mathematics," I hardly think we can turn up our noses at folks who were fighting ignorance and want with virtually no resources on the streets of early Victorian London.That aside, however, I do indeed love and highly recommend this novel. More, please, Mr. Buzbee.

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Download The Big Bento Box of Unuseless Japanese Inventions, by Kenji Kawakami

Download The Big Bento Box of Unuseless Japanese Inventions, by Kenji Kawakami

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The Big Bento Box of Unuseless Japanese Inventions, by Kenji Kawakami

The Big Bento Box of Unuseless Japanese Inventions, by Kenji Kawakami


The Big Bento Box of Unuseless Japanese Inventions, by Kenji Kawakami


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The Big Bento Box of Unuseless Japanese Inventions, by Kenji Kawakami

About the Author

Kenji Kawakami is the inventor of the concept of Chindogu and the founder of the 10,000-member International Chindogu Society.Hugh Fearnley-Whittingstall is a celebrity chef, television personality, journalist, food writer, and "real food" campaigner. He promotes a back-to-basics philosophy with regards to cooking.Dan Papia is a translator. He also heads the chapter of the International Chindogu Society based in Los Angeles.

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Product details

Paperback: 320 pages

Publisher: W. W. Norton & Company; 64940th edition (April 17, 2005)

Language: English

ISBN-10: 0393326764

ISBN-13: 978-0393326765

Product Dimensions:

5.2 x 0.8 x 7.8 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

75 customer reviews

Amazon Best Sellers Rank:

#171,066 in Books (See Top 100 in Books)

This book of chindogu features some of the most humorous and ingenious inventions ever, inventions so impractical yet addressing real world problems, that they are referred to as "unuseless." The inventions remind me of Monty Python animator Terry Gilliam's cartoons gone horribly awry. Editor Hugh Fearnley-Whittingstall explains the concept nicely in the foreword: all these inventions are real and have been manufactured, but to qualify as a real chindogu, the device must be completely impracticable in the real world. Readers are even invited to join and submit chindogu of their own to the International Chindogu Academy. (I am thinking of submitting a Marmoset Crauncher.)The word "chindogu" was appropriated for these inventions as it is Japanese for "odd or distorted tool." That is a perfect description of these items. There are too many for me to list, but all are beautifully explained and illustrated. Some of my favorites include: "Duster Slippers For Cats," in which housecats don dustmops on their paws to assist with household chores (the illustration is priceless); "The Noodle Eater's Hair Guard," which is the silly pink contraption on the cover; "The Back Scratcher's T-Shirt" (which is not only funny, it borders on a good idea); the "Portable Subway Strap" (for those who enjoy holding onto a plunger affixed to the roof of a train); and the "Ear Extender," which gets my vote for best decorative headgear made from colanders.This is a funny book, and is beautifully rendered in color throughout. The only warning I have is that if you read this in long sittings, eventually you may find yourself saying "Hey, that's a pretty good idea!" (I had this thought when looking at the "Butterstick.") I recommend this book to lovers of the odd and obscure everywhere.

A wonderful collection of items for anyone who enjoy the ridiculous. The product overviews are part of the joke, so don't expect too much info who/when/where/what/why these funny items are invented.This is a real example of a real reaction from one of my guests after picking up this book:"Oh my god, I want to rip this book into little pieces."

My first time reading this was in Uniqlo SOHO... and man, I spent a good 10 minutes laughing at the book.Turns out I ordered one on amazon since I regretted not buying it earlierISSA good book

Funny and interesting book about clever and sometimes odd inventions.

Bought this for my brother as a stocking stuffer, he found it hilarious!

There are creative inventions you absolutely need, there are those you didn't know you needed, and then there are chindogus (Japanese art of inventing unusual gadgets). This is one of the funniest books I've seen in a while. The inventions presented here are so incredibly useless they are hilarious. The best chindogu is probably the book itself: a compilation of chindogus.

Liked the humor and the point of view of this book, quite unusual but also funny and believable

Love that book

Hours of entertainment! Made a great gift.

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Minggu, 01 April 2018

Get Free Ebook , by Riad Sattouf

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Product details

File Size: 167057 KB

Print Length: 160 pages

Publisher: Metropolitan Books (September 20, 2016)

Publication Date: September 20, 2016

Sold by: Macmillan

Language: English

ASIN: B01L7BD93K

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A continuation of Riad Sattouf's graphic memoir of childhood. In this installment, which covers Riad at ages 6 - 7, the Sattouf family--Riad, his parents, and his baby brother--are living in a small Syrian village near Homs, where his grandmother lives as well as a number of other relatives (it almost seems as if everyone nearby is a cousin, aunt, or uncle).Riad starts school, and many scenes are set there, where corporal punishment--delivered with something that looks like a truncheon, generally as a THWACK! across the hands--is arbitrary and commonplace, and much of the education seems to be pure indoctrination. For instance, as Riad recounts it, the very first lesson is learning the national anthem ("Defenders of the Homeland, peace be with you...The home of pan-Arabism, a sacred sanctuary...Our spirit is noble and our past glorious, and our martyrs' souls are our guardians...."), and before a presidential election, the class is told, "we must all say yes to our president Hafez Al-Assad [father of the current president, Bashar Al-Assad]...So you must tell your parents to vote yes, of course, because President Assad is the father of the Syrian nation." Riad afterwards reports, capturing his childhood innocence, "On February 10, 1985, Hafez Al-Assad was reelected with a 100-percent yes vote, a world record!" Assad, by the way, was the only candidate.There are other memories of these schooldays--some that seem quite ordinary and pleasant; others that will likely strike readers as much darker (e.g., playing at war against Israel, with cries of "Let's kill as many Jews as we can!...Yaay! All the Jews are dead!"). And there are many scenes set at home, where Riad's love and respect for his father are quite evident, but where he seems not to fully sense the magnitude of the tension between his French-born mother and his father, educated in France and with seemingly ambivalent feelings about traditional and modern values. The mother is generally in the background in this story, but when she emerges--for instance, immediately and forcefully condemning the honor killing of a unwed village woman who became pregnant, while Riad's father vacillates about reporting the crime--it seems apparent that conflicts are going to be a larger part of the story going forward.Another telling scene takes place late in the book when on a summer vacation in France to visit his grandparents, Riad visits the Euromarche, a superstore along the lines, I suppose, of a Target. He is overwhelmed by the selection toys, electronics, groceries, etc, and he concludes, "For me, it was the best place on earth." This is in contrast to the fact that when his father wants to purchase some luxuries for the home (to his mother, necessities, like a gas oven), he has to resort to the black market, where goods are smuggled in from Lebanon. During the same trip to get the oven, he also happily buys a VCR--a Betamax. Ulp.Book 3 in this series was published in France in Oct 2016 but will apparently not be available in the US until Aug 2018. I look forward to it!

This is an outstanding memoir. One must acknowledge that it takes place when the author is between 6 and 7. I will have to hunt down some interviews of the Mr. Sattouf, because most readers (including myself) find that his father and many aspects of Syrian government and life come across as awful. Riad is half French and half Syrian. In volume one, his father (who is educated but incredibly sexist, racist and ethnocentric) hauls the family from France to Libya and then Syria so that he can secure a teaching position. This volume takes place entirely in Syria, save for a 2 week vacation to France that Riad takes with his mother and younger brother. Riad's father constantly puts the west down and says how Syria is very superior...but Riad continually contradicts his father (for example - when he visits a doctor, the doctor tells the son and father that he should have the operation in France rather than Syria....the father refuses to tell the mother this because it goes against his propaganda).Because this is volume 2, Riad is more at the center of action than an observer of his parents. He enters school and has to deal with terrible rule beatings from his teachers and statist propaganda about religion and politics (the bit on the Presidential election is terrific). Riad has a kind heart and a keen eye - he can see that many of his classmates are very poor and some have burn marks on their face and hands (from crawling around as a baby and knocking over super hot cups of tea). He walks around with other children, picks up crabs, plays at war, forms friendships, and is occasionally ostracized and left out. Despite being set in Syria, Riad shares many universal experiences of childhood.The first volume was nominated for an Eisner award. It would have won, but it ran into incredibly stiff competition (March 2 by John Lewis won, while "The Story of My Tits" is an incredible memoir about a family's multigenerational battle with breast cancer). March 3 came out a few weeks before this, and Mr. Satouf will be hard pressed to pick up the Eisner this year. But it seems like we will have several volumes of this comic, so he should get an Eisner at some point.It's a fine work. I imagine that some Arabs will find this offensive, and that some Trumpists will cite it as an excuse to ban all Muslims (but then again, that kind of individual would not read this). Both are wrong. Frankly, it's a great story from a man raised in two worlds.

I wanted to buy volume one when it came out but decided to wait until volume 2 was released - I live in Australia and it takes forever to have it sent over and costs a fortune. So, I received both volumes at the same time and whipped through them in a day. Now I realize that volumes 3, 4, and 5 are in the pipeline. I hate it; I'm not a patient guy.The story: gut retching. Painfully honest. Frankly, I'd fear for the author's safety. I pray that the title is ironic and the it does not depict the Arab of the future but Sattouf makes it quite clear that change in the Arab world just isn't in the cards.

A brilliant, moving and funny story of the author's vivid childhood memories when his insecure but caring father takes the family from France to his poor home village in Syria. Sattouf's drawings and words bring to life his six year old feelings and fears, as well as his very specific memories of the streets, his school, and the children and adults he encounters in Syria and on vacation in France. A classic which I will re-read many times. Everyone should read it.

Beautiful and eye opening.

A tour de force look at life in the Arab world from the perspective of a little boy with a Syrian father and a French mother. Rings true!

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