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Every Day Is for the Thief: Fiction, by Teju Cole
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Review
“A luminous rumination on storytelling and place, exile and return . . . extraordinary.”—San Francisco Chronicle “[Teju] Cole is following in a long tradition of writerly walkers who, in the tradition of Baudelaire, make their way through urban spaces on foot and take their time doing so. Like Alfred Kazin, Joseph Mitchell, J. M. Coetzee, and W. G. Sebald (with whom he is often compared), Cole adds to the literature in his own zeitgeisty fashion.”—The Boston Globe“Crisp, affecting . . . Cole constructs a narrative of fragments, a series of episodes that he allows to resonate.”—The New York Times Book Review “Hugely rewarding . . . [Every Day Is for the Thief] is both a celebration of one of the world’s most vibrant cities and a lament over what can be one of the most frustrating and difficult places to live. It is also a story of family breakup and an uneasy homecoming—the narrator has been away for fifteen years and must relearn how to navigate a place that was once home.”—NPR“[Every Day Is for the Thief has] a restraint that allows [Teju Cole] to slip in these exquisitely rendered observations on life, love, art that leave you feeling richer and more attuned to your own reality once you’ve finished reading.”—Dinaw Mengestu, The Atlantic“Shimmering . . . transcendent.”—The Seattle Times “Wonderful . . . a book that never fails to find a thoughtful and essential thing to say.”—Los Angeles Times “Fearless, nimble, and surprising.”—The Daily Beast“To read Cole is to be swept away by the language of a master wordsmith. In Every Day Is for the Thief, the PEN/Hemingway Award winner turns his considerable talents to the character of the expatriate, a young Nigerian medical student living in New York City who returns home to Lagos for a short visit. In his adventures wandering the town, reflections on the Nigerian homeland and the self-as-outsider arise. This work was originally published in Nigeria in 2007, four years before the release of Cole’s novel Open City, but was not available in the U.S. until now. We are thankful that non-Nigerian readers can now enjoy Cole’s first novel.”—The Root“A Teju Cole novel is a reading experience matched by few contemporary writers.”—Flavorwire“Every Day Is for the Thief, by turns funny, mournful, and acerbic, offers a portrait of Nigeria in which anger, perhaps the most natural response to the often lamentable state of affairs there, is somehow muted and deflected by the author’s deep engagement with the country: a profoundly disenchanted love. Teju Cole is among the most gifted writers of his generation.”—Salman Rushdie“[A] tightly focused but still marvelously capacious little novel . . . built with cool originality . . . The house of literature [Cole] is busy creating is an in-between space with fluid dimensions, resisting entrenchment.”—The Christian Science Monitor“Every Day Is for the Thief holds something for people with all levels of familiarity with Nigeria. It is an introduction and a provocation, a beautifully simple portrait and a nuanced examination. It invites you to steal a glimpse of Lagos.”—Pittsburgh Post-Gazette
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About the Author
Teju Cole was born in the United States in 1975 and raised in Nigeria. He is the author of Every Day Is for the Thief and Open City, which won the PEN/Hemingway Award, the Internationaler Literaturpreis, the Rosenthal Family Foundation Award for Fiction from the American Academy of Arts and Letters, and the New York City Book Award, and was nominated for the National Book Critics Circle Award. His photography has been exhibited in India and the United States. He is Distinguished Writer in Residence at Bard College.
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Product details
Paperback: 192 pages
Publisher: Random House Trade Paperbacks; Reprint edition (March 3, 2015)
Language: English
ISBN-10: 9780812985856
ISBN-13: 978-0812985856
ASIN: 0812985850
Product Dimensions:
5.2 x 0.6 x 8 inches
Shipping Weight: 4.8 ounces (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
109 customer reviews
Amazon Best Sellers Rank:
#268,138 in Books (See Top 100 in Books)
A Nigerian narrator, living as a professional in New York for 15 years, returns home to (re)explore his home, perhaps in search of some part of himself or his past. In a series of mostly short chapters, he describes his interactions and experiences as he makes his way about Lagos, finding himself confronted by things he does not always expect despite the fact that this is his old home. Many reviewers think the narrator believes he has returned to a changed Nigeria, but actually it is probably the narrator that has changed the most. This book is labeled as “fictionâ€, but really reads more like a personal journal; one cannot help believing that the author is writing about himself.Teju Cole’s writing is compact and easy to read, but still manages to completely paint each scene vividly. Although the potential for violence is mentioned several times throughout the chapters, the presence of full-on malevolence is never really felt. The most prominent theme is the constant experience of petty corruption that throws shade on almost every one-on-one contact between strangers. The official salary that most livelihoods pay is far too little for most Nigerians to survive on, and they must “derive a living from their affairs†(as described in an old story of Imperial Russia). As the narrator says: “The problem used to only be the leadership. But now, when you step out into the city, your oppressor is likely to be your fellow citizen, his ethics eroded by years of suffering and life at the cusp of desperation.â€The corruption starts in the very first chapter when the narrator visits the Nigerian consulate, a dingy place, to get the new Nigerian passport that will enable him to go home. The normal wait for a passport is four weeks, despite the official website insistence that normal turnaround time is only ONE week. This can be expedited by payment of an additional fee. Tellingly, the money order for “expediting†needs to be provided separately from the passport fee itself, and the receipt one receives includes only the passport fee. The expediting fee simply disappears into a pocket. Right in the office is a sign: “Help Us Fight Corruption.†It is not the last time he sees such a sign.Electrical service is spotty, especially after dark, and those who can afford generators for backup have them. For the rest, the house frequently goes dark early in the evening and can stay that way until the next day. The narrator speaks of sleep disturbed each night due to the constant assault by the noise of diesel generators running outside. He also makes a trip to an Internet café, and talks about observing with sideways glances that others are busy tapping out their own versions of the email scams Nigeria has become infamous for. These are illegal under Nigerian law, but that doesn’t observably slow the perpetrators down. Getting caught and being required to pay a fine is just a cost of doing business; like so many other parts of the typical Nigerian's life, unexpected surcharges abound.Based on what I’ve heard about Nigeria, I was not completely surprised by the general description of life in Lagos, but the writing is still quite interesting and added color and humanity to what was only my general conceptual impression. I found this an interesting and well-written book and a worthwhile read.
Teju Cole's latest work of fiction reads like the memoir of a writer living in New York City, who returns to Nigeria, the country of his birth for a visit. From the moment he arrives at the airport in Lagos, he revels in the sense of homecoming, but pretty soon, that sense of familiarity wars with a growing sense of feeling like a stranger. His family and friends help explain the changes that have taken place in the country since he left for America, not least the common corrupt practices that have become pervasive in everyday life, from the bribes required by government officials and the police, to gang members who need to be paid off at import warehouses so that drivers of vans carrying goods are able to leave without violence. He takes us to the myriad of internet cafes where, despite a legal notice on the walls warning patrons against fraudulent activity, many of the patrons still blatantly commit email fraud, in the hopes that they will be able to convince just one person that they have inherited millions of dollars and just need a 'small' processing fee in order to release the funds to them.While the writer is pleased to discover a privately funded institution that promotes and develops creative talent in Nigeria, he also despairs that because the students need to provide their own musical instruments which are very expensive, this institution is only really available to the wealthy. In addition, fees are on a different scale if the student is to be taught by a local teacher or one with foreign certifications.The book makes one ponder the complexity of social change and the depths to which humans are able to adapt in order to survive.
I loved this book on so many levels and the only thing that I think is odd and in some cases probably added to a few not so great reviews is that this is marketed as Fiction but this doesn't really feel at all like fiction. Having also read Cole's essays I find the tone very similar although I think I enjoyed this more than his essays as there is a personal level here and an intimacy that is not as clear in the essays.I greatly admire the subtle minimalist tone that Cole uses, yet the small chapters and short poetic sentences hold an emotional charge. Like when he is describing the estranged relationship with his mother or the violence of an angry mob! Also love the photography that is carefully interspersed throughout the book usually at the end of a chapter. Often I find books that do that distracting or at least underwhelming but works great here. I think the book is dispersed with many profound moments and the writing feels like we're gliding along slowly down calm dark waters. If nothing else this book has given me a small taste of life in Nigeria. Perhaps a bit tainted but nevertheless one man's authentic view. It's not impossible to go home again, but its often not easy.
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